While it's clear that there is an organizational idea that creates the facade treatment, you can't immediately decipher how it is working. This is the line or verge which I'm talking about. I suppose the question then becomes, when is a pattern not a pattern anymore? What is the point of complexity within which we don't consider it a pattern? Or regular like a grid?
So this is the Korean Pavilion from the World Exposition in Shanghai, 2010. The facade really rests on this line or verge. And that's why I love looking at it. Generally I think patterns that are crossing this line tend to be exceptionally beautitful.
Thomas-Michael1
e-architect.co.uk
Architecture, Patterns On The Verge And The Korean Pavilion, World Exposition, Shanghai.
korean-inspiration.blogspot.com
Architecture, Patterns On The Verge And The Korean Pavilion, World Exposition, Shanghai.
arqa.com
Architecture, Patterns On The Verge And The Korean Pavilion, World Exposition, Shanghai.
korean-inspiration.blogspot.com
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