Thomas-Michael
herveleger.com Summer 2011 Campaign Shot By Camilla Akrans And Styled By Laura Ferrara
Fashion, Architectural Lines And Construction In Herve Leger, Summer Into Fall 2011. From the summer, I like the horizontal striation here. But also the literal linear dilineation in parts. The way the neck is outlined for instance. It reminds me of something purely being drawn on the body. Provocative and sexy.
herveleger.com Summer 2011 Campaign Shot By Camilla Akrans And Styled By Laura Ferrara
Fashion, Architectural Lines And Construction In Herve Leger, Summer Into Fall 2011. Also from the summer. This is the image that was posted previously. In itself, I think it's a concept for an architectural structure or facade. A woven one. I love how it seems as a whole made out of an assemblage or weaving together of parts rather than a solid fabric which is then subtracted from, or cut out.
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Fashion, Architectural Lines And Construction In Herve Leger, Summer Into Fall 2011. Into the fall now. You can see how the horizontality and continuation of the straps is coming through. A dominant sense of construction.
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Fashion, Architectural Lines And Construction In Herve Leger, Summer Into Fall 2011. The grid.
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Fashion, Architectural Lines And Construction In Herve Leger, Summer Into Fall 2011. This one is really tensile looking. I love how it seems as though it's pulling itself together from different respective angles on the body.
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Fashion, Architectural Lines And Construction In Herve Leger, Summer Into Fall 2011. Something of a physical armature. The corset is a starting point for a larger structure. And integrated really beautifully with the softer fabric. Then of course, the neck again. I love how it feels as though the whole thing is hanging from that neck strap.
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